This year’s Pantone colour has been announced. Oh lordy! It’s pink on steroids. Living Coral, or as those of us who survived the colour palettes of the 60s and 70s, it’s a bad flashback. It looks like salmon to me. I’m sure I’ll be raked over the coals (wonder what Pantone colour coal is) for that, but it is too reminiscent of bad colour schemes of my youth – avocado appliances, salmon coloured bathrooms, shag carpets and rec room panelling. Whoa, I feel dizzy with the flashbacks. In the late 90s my sister bought a house that was painted in a similar colour. When I say painted, I mean all over the inside – the kitchen, the living room, the halls. When she found plastic containers left behind in the dishwasher that matched the walls, she quickly dubbed the place The Rubber Maid House until she repainted. Overwhelming would be an understatement.
I understand the rational behind the name, it does have the colour of a certain type of coral. But I don’t feel the “vibrant” or “life-affirming” qualities. It screams staid, old and dated.
“An animating and life-affirming coral hue with a golden undertone that energizes and enlivens with a softer edge…. Vibrant, yet mellow PANTONE 16-1546 Living Coral embraces us with warmth and nourishment to provide comfort and buoyancy in our continually shifting environment.” Pantone Website
Prepare for a year long onslaught of salmon pink Living Coral.
Wow was that a bad ass virus! We were laid low by one of the great unknown viruses that lurk in the winter months. No idea what it was but after 12 hrs of chills, headaches, vomiting and er .. you know – I’m happy to be upright and feeling human. How bad was it? It was nearly a week before I could stand the smell of coffee let alone drink it.
I kept sitting the computer, promising “today I’ll get some work done” but ended up staring at the screen and achieving bugger all. Felt like I’d gone on a shopping binge at the Big Box of Lethargy Supermarket. It was easier to watch old movies on YouTube than write. Here I am … again, staring at a back log of articles that need to be written. Some articles will have to wait while I build a little stone wall for our Christmas village display. What’s that you ask? I’m a master of work avoidance, if nothing else so I’ve decided our little woodcutter’s hut needs an old stone wall around the property. I might make a few paths for the singers standing around the village centre tree as well.
I’m using air dry modelling clay and have started the curved section. I haven’t gotten around to figuring out how to paint it, but I have enough art supplies stuffed into the closet, that I’m sure I’ll find something to use. Right now I’m letting the first section dry to see how it looks. If I like it, I’ll pull out the sculpting tools and go at it tonight. I’ll take a photo of our village and post it when I get the wall erected. It’s going to take hours to build – it’s so teeny tiny.
Heads up revenue collectors! There’s a new stamp to grab. The moment the Canadian government legalised marijuana, I knew there would be a stamp to collect. Keep your eyes open for the cannabis revenue stamp that is affixed to all government store sales. Here’s what it looks like:
It’s a bit hard to grab a clean photo of the new stamp. The fraud prevention features play havoc with the lens. My eyes went a bit wobbly after taking a series of photos. Many weren’t aware the stamp would be issued (or didn’t care) so thousands have been trashed so it’ll be interesting to see what the catalogue price will be.
I haven’t decided whether to keep it on the original box or carefully remove it. The box is a bit of a pain to store but I suspect I’ll leave it on. I’ve already started pestering friends to save any revenue stamps they get. Might be awhile given the pot shortage here in Canada.
Here’s a little something special today. I was looking through my pioneer aviation collection searching for … well, I can’t remember because I became sidetracked. About 7 years ago, I spotted a set of 1910 Wills Aviation cards at auction. It’s one of those silly items I coveted for years so I threw in a modest bid and it turned out to be one of those days aviation and tobacco card collectors were asleep and I got the entire set of 50. I’m not sure if these are reprints or original, I’ve never checked into how to tell the difference. Regardless, they are still a joy.
1910 Wills’ Cigarette card The Antoinette Monoplane – from author’s collection
The cards are pretty cool and considering they are over 100 years old, in extremely good shape. They cover flight from early balloons to the most modern (as of 1910) aeroplanes, including my favourite – the Antoinette Flyer, designed by Léon Levavasseur.
The Silver Dart comes close to the number 1 spot, but it’s always edged out by the Antoinette. I think primarily because the design seemed so improbable. It looked like a canoe with wings with a pilot precariously plopped in the middle. I guess it shouldn’t be surprising, designer Levavasseur started out designing boats and boat engines. The Flyer may look fragile, but it was an outstanding aeroplane that helped Hubert (sometimes listed as Herbert) Latham set a number of height and speed records.
It was powered by Levavasseur’s magnificent V8 (and later) V16 Antoinette engine.
55/60 HP Antoinette Engine – Le Salon de l’Aéronautique : moteur Antoinette 55/60 HP : [photographie de presse] / Agence Meurisse – image courtesy BNF/Gallacia
Latham attempted an English Channel (1909) crossing but had to ditch the Antoinette in the water. Bleriot beat him across the Channel the next day.
Hubert Latham (left) and Leon Levavasseur (right) Calais 1909 for the English Channel crossing attempt – image courtesy BNF/Gallica
3rd aeroplane – Antoinette Flyer ready to try the Channel crossing – Image courtesty BNF/Galacia – Bibliothèque nationale de France, département Philosophie, histoire, sciences de l’homme, FOL-LC6-87
Latham in cockpit of Antoinette ready to try Channel crossing 1909 – image courtesy BNF/Gallica
Despite this disappointment, Latham went on to set many records including air speed and distance including:
August, Riems Airshow (Grande Semaine d’Aviation de la Champagne) world altitude record of 155 metres (509ft) 1910
January, Mourmelon-le-Grand, France, world altitude record of 1,100 metres (3,600 ft)
April Nice Airshow world airspeed record of 48.186 miles per hour (77.548 km/h)
July second Riems Airshow (Grande Semaine de l’Aviation de la Champagne), world altitude record of 1,384 m (4,541 ft)
All while flying an Antoinette VI or VII
Hubert Latham 1909 Airshow –
La Revue aérienne / directeur Emile Mousset Author : Ligue nationale aérienne, Paris. Auteur du texte Publisher : [s.n.] (Paris) Publication date : 1909-09-10 Contributor : Mousset, Émile. Éditeur scientifique – image courtesy BNF/Galacia
I’ve looked around for postage stamps showing Latham, Levavasseur or the Antoinette and have been terribly disappointed. To date, I haven’t been able to find any postage or cinderellas commemorating them, although I’m pretty sure I’ll eventually stumble across at least a Cinderella.
I’m a bit embarrassed. Since the eye opening lesson on manual control last week (see Photography experiments with highlights & shadows) I’ve been working with all sorts of settings on my camera. I’ve been wowed by the sharpness and brilliant colours that have been falling out of the camera.
The embarrassment stems from falling into the old trap of “maybe I need a better camera/lens” belief. It wasn’t the camera – it was the camera user that was at fault. Granted I’m using the kit lens that came with my Rebel, but it does the job. I simply needed to learn how to optimize the settings to get the results I wanted. I’m still itching to get my hands on a prime lens or two, but the lesson I’ve taken away from this is, I need to keep working on the basics and worry about a prime lens later. The best lens in the world can’t compensate for poor skills.
I took my new found cockeyed optimism about photography and wandered down to Graffiti Alley for another kick at the can. Graffiti Alley is exactly what it sounds like – a long lane, backing onto businesses – slightly odorous, shadowy and the location of magnificent wall art. It’s a bit grubby in parts and the aroma of garbage can be a bit over powering in spots, but worth the trip. The explosion of colour and intense shadows/highlights that play long the alley make it a fun challenge for amateurs.
Previous attempts produced some pretty shoddy photos – blown out highlights, grossly bad exposure, off colours and shadows that were overwhelming. I relied too heavily on letting the camera dictate settings. I know what I want my photos to look like, the camera doesn’t. By grabbing onto full manual, I can change settings needed. I experimented a lot and took multiple shots from the same position, using different shutter speeds/ISO/aperture settings. I also worked on where I was focusing. Like the trip last week, it was illuminating.
Not sure who the man in the window is, he hopped up there for his friend just as I was setting up the shot. Decided to take the shot anyway and I think he really shows the length of this stretch nicely. He added a nice dimension to the photo.
Some of the murals just leap out at you, like this tiger mask. (Check out Censdbs’ Instagram page to see more of his art.)
The colours is sharper than most of the work I’ve done to date. Instead of the usual frustration at the lack of detail crispness, most of the photos came out like the warrior above. I think some of the sharpness came from a better understanding of depth of field as well.
What alley is complete without Urizen rising from the dark. I airbrushed a bit of garbage away but left the flaws on the wall.
And finally the door to nowhere. The contrast and exposure on this one isn’t quite right. I played with it quite a bit in post production, but the shadows aren’t balanced so the colours aren’t as vivid as they should be. Maybe I should focus more on getting the highlights right and let the shadows take care of themselves for a bit. I’m still forcing myself to lighten up photos because I tend towards underexposing too much.
As I improve, I’ll make a couple more trips down to Graffiti Alley to test things. It may sound tedious taking the same photo over and over, but it’s an interesting lesson. I like to spread them out and compare the various settings, see what worked, what flopped. I have a little note book I’ve started that I’m using as a cheat sheet of settings to help out until understanding how the three settings interact with each other. In the meantime, much fun!